I’ve written a review of Rachel Lichtenstein’s very good new book about the Thames Estuary, called Estuary. You can read it here, at Caught By The River.

I’ve written a review of Rachel Lichtenstein’s very good new book about the Thames Estuary, called Estuary. You can read it here, at Caught By The River.

Posted in Archaeology, Books, Fish, Geography, History, Journalism, London, Nature, Place, Walking
Tagged Estuary, Rachel Lichtenstein
I have two events coming up where I will be discussing Battersea Power Station in collaboration with other writers. At the excellent Bookseller Crow shop in Crystal Palace I will be teaming up with Rob Baker of Another Nickel In The Machine for a London Night, where we will talk about low culture and high jinx in London. My talk will focus on some of the finer pop culture moments associated with Battersea Power Station, while Rob will talk about his blog, his book (Beautiful Idiots And Brilliant Lunatics) and the Miss World protest of 1970.
This will take place on Thursday September 15th at 7.30pm, £3.

This will be followed by a London Society event with Owen Hatherley, where we will discuss the redevelopment of Nine Elms and Battersea, and debate the limits of preservation and conservation in a talk titled The Ruin of London. This takes place at the Gallery on Cowcross Street on Sept 20th from 6.30pm.
I’ve not yet seen the Museum of London’s new Fire! Fire! exhibition, but I did speak to curator Meriel Jeater for a preview in the current issue of World of Interiors.
Jeater told me that a section of the exhibition would look at the conspiracy theories about who started the fire. Some felt that such a devastating conflagration had to have some supernatural origin, so blamed a God angered by London’s heroic capacity for fornication and greed, and its execution of Charles I. Others blamed a more corporeal other in the form of the Catholics, with a Frenchman, the obviously disturbed Robert Hubert, helpfully confessing to arson.
He was hanged and for almost 100 years a plaque (pictured below) was on the wall at Pudding Lane claiming that “here by the permission of heaven, hell broke loose upon this Protestant city from the malicious hearts of barbarous papists”. It was eventually taken down because so many people were stopping to look it traffic could not pass. For years after, people continued to claim responsibility, such as one man who insisted who was inspired by the devil and would do so again, and a boy who said he started the fire with the help of his uncle.

The exhibition will feature this plaque, while also looking at the history of fire in London – a resident in 1170 insisted that the “only plagues of London are the immoderate drinking of fools and the frequency of fires” and there were half-a-dozen major fires in the 17th century before 1666. It will then cover how the fire spread and how it was tackled. Numerous artefacts recovered from rubble-filled cellars will go on display, along with contemporary letters by Londoners about the fire. Finally, the exhibition the reconstruction of London, looking at the various plans, the new building regulations and then the reality of how London was finally rebuilt. Illustrating all this will be lots and lots of maps. “It’s hard to get your head round it,” said Jeater. “You look at it and wonder how people coped, how London was put back together again.”
Posted in Archaeology, Architecture, History, Journalism, London, Maps, Museums, Religion, Street furniture, Superstition
Tagged Great Fire, Museum of London, plaque, Robert Hubert
A lovely review of Up In Smoke has appeared on the London Society website this week, and I will be talking about Battersea Power Station at a London Society event alongside Owen Hatherley in September. More information on that soon. Owen and I discussed architecture and music on Resonance FM a few weeks ago, and you can listen to that here.

Before that, I’ll be one of three speakers at a Londonist event on July 20th at The Pipeline on Middlesex Street, E1. I will tell some strange tales about Battersea Power Station, Amy Dickens will discuss her blog about commuters and Matt Brown will tell us that everything you know about London is wrong, which also happens to be the title of his latest book. All that for a fiver and chance to say hello. Doors open at 7pm.
To give you a taste,here’s a blog post I wrote about the power station’s current predicament for the New Statesman. I’ve also recorded something for their City Metric podcast – more information on that as it comes.
Posted in Architecture, Battersea Power Station, Blogging, History, London, Podcasts, Radio, Talks, Uncategorized
Tagged Battersea Power Station, Londonist, Matt Brown, Resonance FM, Up In Smoke
I reviewed Travis Elborough‘s lovely history of the British public park for Caught By The River.
Travis has previously written excellent books about the Routemaster and London Bridge as well as worked with Saint Etienne/Paul Kelly on their London film (which I’ve still not seen) How We Used To Live.
This time, his scope is a little broader – his history of parks begins with the dawn of urbanisation – but is at its most fascinating when focussing on the 19th century, as cities grew exponentially and parks were needed as never before.
It made me think about my relationship with my nearest park, Brockwell Park, which crops up in the book several times – for instance, as the location of the country’s first One O’Clock Club in 1964, created after an LCC employee was horrified to discover “ten howling babies in their prams abandoned outside Brockwell Park’s playground”, left there by older children who were meant to by looking after their siblings and were instead using the facilities for their own fun.
Brockwell Park is a classic London park in that it covers so much of the history and present of parks. It was formed from a rich man’s land, given to the people for their free use – and within the grounds still stands the austere old Brockwell Hall (now a cafe) and the former kitchen garden. It was landscaped in the Victorian style, with bathing ponds and the kitchen garden made into a formal walled garden, but also has an Art Deco lido as well as more modern facilities such as the BMX track and a superb children’s playground. Here you will also find a bowling green and tennis courts, the remnants of a model village, a lovely miniature railway and the marvellous community greenhouses. During the war, it was used for allotments, barrage balloons and artillery; in the 80s and 90s it became the location for concerts and protests – most memorably, the 1994 Anti-Nazi League concert.
The park still has multiple uses: dog walking, jogging, football, kite flying, BMXing, duck-feeding, picnicking, woods exploring, head-clearing, ice cream eating. It’s where my daughters both learnt to ride their bikes, where they play tennis and meet friends at the playground, in the trees or at the log circle, depending on weather and mood. The park is used for community events – Park Run, film screenings, the Lambeth County Fair – and sometimes also for fundraising, ticketed events and filming, as Lambeth try to balance the annual gap in their budget, a shortfall that means the historic One O’Clock Club is now rarely open.
In Brockwell Park you have the story of all parks, but also a very local and personal one – and it struck me as I read Travis’s book that the best British parks now offer cradle-to-grave facilities but suffer from a similar lack of resources as the rest of the welfare state even though we need them as much as ever before.
The park is at least used and valued, unlike that great modern casualty, the London pub. An excellent history of local pubs – The Pubs Of Herne Hill and Dulwich – has just been published, showing all the pubs in the area that still exist and the many we have lost (including three on Effra Parade alone). A similar history of local parks would be equally treasured.
Posted in Books, Brixton, Film, Herne Hill, History, London, Nature, parks, Place, Politics, Pubs, Walking
Tagged Brockwell Park, Travis Elborough
I will be giving a talk about Battersea Power Station’s failed dreams on Wednesday May 11 at 7pm at Waterstones in Clapham Junction. Further details here. Please come along and ask questions. It’s free.
A lovely review of Up In Smoke is on Caught By The River and I also wrote a long piece in The i Paper this week, exploring the power station’s history through quotes from those involved in its history. It’s pretty thorough and looks great. You can read that here.
Perhaps I should have asked Brian Barnes to knock up some posters? This is one of us from the 1980s.

Posted in Architecture, Art, Battersea Power Station, Books, History, Housing, Journalism, London, Politics, Property, Talks, Uncategorized
I was invited on Robert Elms’ Radio London show yesterday to talk about Battersea Power Station.
You can hear me here, from around 1 hr 39 minutes. Thanks to Robert’s team for inviting me on, and for Robert asking such excellent questions. I really enjoyed the discussion.
Listening to Robert Elms’s show in the late 1990s was fundamental to developing my fascination with London so this was quite an exciting event for me. In many ways, the nature of my love for London was more influenced by Elms than it was the likes of Sinclair or Ackroyd.
Incidentally, this was also the first time I had visited the BBC at Portland Place since 1999, when I was one of a handful of journalists invited to see a demonstration of TIVO by the BBC’s Head Of Future, who paused and then continued watching a live weather forecast. Many of us believed we had witnessed a form of witchcraft; one reporter even accused him of manipulating a VHS tape.
I also had a piece in Time Out this week, listing ten things you didn’t know about Battersea Power Station. You can read that here.
Posted in Architecture, Battersea Power Station, Books, History, Housing, Journalism, London, Radio
Tagged Battersea Power Station, BBC Radio London, Robert Elms, Time Out
While I dedicate a chapter of my book about Battersea Power Station, Up In Smoke (now available to purchase from the publisher), to the chaotic photoshoot for Pink Floyd’s Animals album cover, this was not the only time the building has been used in popular culture. Here I’ve listed some of my favourites, but there are dozens more involving Dr Who, Slade, The Jam, Richard III, The Who and The Quatermass Xperiment. It was also used as otherwise anonymous filming locations for numerous TV shows, pop videos and films, including Superman III, Monty Python’s The Meaning of Life, Texas, Manson and The Dark Knight but I’ve chosen the moments that made the building the star.
1 Sabotage (1936)

Hitchcock, a Londoner with a sharp eye for locations, was one of the first directors to note the visual potential of the power station, using it in early scenes of his 1936 film Sabotage. Here the power station has only two chimneys, the second half was not started until 1937 and the final chimney not added until 1955.
2. High Treason (1951)

This superior Cold War neo-noir b-movie includes a thrilling climactic scene at Battersea Power Station, where there’s a great shoot-out amid the clanging pipes and hissing steam. Worth seeking out.
3. Up The Junction (1963)

Nell Dunn’s non-fiction collection of writing about Battersea woman is set in the shadow of Battersea Power Station. The poetic back cover blurb for one early edition stated, “Innocence in Battersea lasts as long as the flower remains unsooted by the power station.”
4. Help! (1965)

In The Beatles’ film, the power station is shown blowing a fuse at a critical juncture, causing a black-out and allowing the Fabs to escape their bolthole in Buckingham Palace (“A Well-Known Palace”).
5. Smashing Time (1967)

This goes a step further, with the restaurant at the top of the Post Office Tower revolving so fast it causes the power station to explode. London’s brash newest icon annihilating a venerable predecessor – a metaphor for the 1960s if ever there was.
6. Quark Strangeness And Charm & Lights Out (1977)


Despite the Animals debacle, album sleeve artists Hipgnosis returned twice more to the power station in 1977, photographing futuristic interior covers for Hawkwind’s Quark, Strangeness And Charm and UFO’s Lights Out.
7. The Borribles (1983)

A wonderfully feral cover for this brilliant 1983 children’s novel about a group of cockney elven urchins – Borribles – who are at war with the Rumbles, a group of rat-like creatures that are thinly disguised Wombles. The action begins in Battersea, hence the power station backdrop. I loved this book as a child, and the cover was part of that initial attraction.
8. Jet Set Willy (1984)

This level of the classic ZX Spectrum computer game was one of the first products to reference both the power station and Algie the flying pig. I played this game endlessly as a child – though I’m not sure I really got the pop culture or architectural references.
9. “You’re The One For Me, Fatty” (1992)

I was obsessed with Morrissey in 1992, and while I didn’t like this song much at the time, I did love the fact the power station featured a couple of times. Now, I think it is one of Morrissey’s finest pop moments, and the shots of the power station still delight me. A couple of years after this, I saw Morrissey play a gig at the power station, although in the dark and funnelled through tunnels, it was impossible to tell that’s where we were. Morrissey was rubbish too.
10. Children of Men (2006)

A striking scene in Children Of Men takes place at the power station, which has been converted into the Ark Of The Arts, containing the world’s most priceless artefacts in this dystopian future London – Alfonso Cuaron, like several other film directors, saw Battersea as the sort of building only a totalitarian could love. Note the pig, flying between the chimneys. The film’s location manager told me, “We wanted strong images that had to represent London but not cheesy London. Using somewhere like Battersea meant there was no question of where you were, it was London but proper London, authentic London.”
Posted in Architecture, Battersea Power Station, Books, Counterculture, Film, History, London, Music, Place, Uncategorized
Tagged Batman, Beatles, Borribles, Children Of Men, Clive Owen, Cybermen, Dr Who, Hawkwind, Help!, High Treason, Hipgnosis, Hitchcock, Jet Set Willy, Monty Python, Morrissey, Nell Dunn, Pink Floyd, Sabotage, Smashing Time, You're The One For Me Fatty
I have a post on Londonist about Dream City, a theme park concept cooked up in 1907 by an American developer for a disused waterworks, a site that was later occupied by Battersea Power Station.
You can read the full story here.
The unbuilt Dream City is also the starting point for Alice May Williams’ short film about Battersea Power Station called Dream City: More, Better Sooner produced by the Film And Video Umbrella. The fvu have organised a talk on Friday (April 15) at the Battersea site of the Royal College of Arts by Owen Hatherley called Monetising The Ruin: Batterseas Old And New.
I will be attending the lecture and also selling copies of my book Up In Smoke: The Failed Dreams Of Battersea Power Station.
Posted in Architecture, Battersea Power Station, Blogging, Books, Exhibitions, History, Journalism, London, Place, Politics, Property, Secret London, Talks
Tagged 1907, Battersea Power Station, Dream City, Owen Hatherley, Unbuilt London, waterworks
Up In Smoke: The Failed Dreams Of Battersea Power Station has a release date of April 26.
You can find out more at this website, which also tells you how to get in touch if you want me to do any talks or events.
Expect me to be writing about this a lot more in the next few weeks.
Posted in Architecture, Battersea Power Station, Books, History, Housing, London, Photography, Place, Politics, Property
Tagged Battersea Power Station, book, Up In Smoke