Tag Archives: Jon Savage

Punk at the Hayward: curate and destroy

Does any music form have as curatorial approach to its own history as punk? In many ways that is understandable, as the graphic art that came out of the punk movement is as interesting as most of the music, while many of the scene’s key movers always saw themselves as part of a cultural avant-garde that went back to the Symbolists and still wish to emphasise that. One of the most prominent of these voices is Jon Savage, and he has co-curated an exhibition at the Hayward Gallery on punk called Someday All The Adults Will Die.

Despite punk now being nearly 40 years old and having been curated like a dead horse for several decades, it still has a visceral and visual appeal to many – and not necessarily the people you may expect. When I visited the gallery, most of my fellow visitors appeared to be in their 20s: this was clearly not simply an excuse for a nostalgic wander back through adolescence by men suffering a mid-life crisis. The kids dug it.

It’s a wide-ranging exhibition, with sections devoted to seven-inches, cassettes, posters, flyers and fanzines, including Savage’s own London’s Outrage.

My favourite stuff tended to be the less predictable such as pre-punk items involving the Diggers, who co-existed awkwardly with the hippies in San Francisco in 1966 and 1967, as these mimeographs demonstrate.

There was also items reflecting Savage’s fascination with Situationism, including this King Mob poster. Malcolm McLaren was loosely affiliated to King Mob.

I also liked the items relating to Suburban Press, the witty and brilliant pre-punk/Situationist publishing house created by Jamie Reid.

And, finally, I loved the handful of contemporary examples demonstrating how the mainstream tried to cash-in on punk with things like a punk-themed horoscope magazine and punk pulp fiction. Such money-grabbing tactics, it must be noted, have since been refined somewhat…

Someday All The Adults Will Die is at the Hayward until November 4.

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Secret London: photos of lost rivers and abandoned London

Lovers of London urban landscape, lost rivers, photography and, for want of a better word, psychogeography, should be aware of a forthcoming exhibition, From The Westbourne To The Wandle at Maggs Bros gallery.

Curated by counterculture bookdealer Carl Williams, this brings together the work of two London photographers and writers, Jon Savage and SF Said. Savage is best known as a music writer, but in 1977, inspired by JG Ballard, he set out to photograph the urban wastelands of West London, taking a sequence of stunning black and white pictures of the lost land beneath the Westway.

He has written, ‘In its emptiness, austerity and gloom, it is an interzone waiting for something to happen, for the beasts to be unleashed. This was how London felt at the time: coming, coming, coming down – like a speed hangover merging into an apocalypse. But in there was also a sense of possibility that new ways of thinking might grow from this emptiness – like the scented buddleia on the bombsites.’

SF Said’s picture were taken for last year’s excellent Lost London Rivers book. Said shoots on Polaroid, which he describes as like a ‘photographic time machine’ and says he wants to ‘capture the dreams that a place might have of itself, or the memories that it stores under layers of time’.

He uses expired film, which can create strange, mesmeric effects and explains ‘as their chemical layers decay, they start to produce strange flame-like swirls and flickering light leaks that go even further into dreamlike realms.  These hallucinatory effects are unpredictable and random; sometimes they ruin a picture.  But when you’re lucky and it all comes together, I think they give you something magical that you could never get any other way.’

The exhibition is at the gallery at Maggs Bros, 50 Hays Mews, W1J 5QJ from March 22 to April 19.