Tag Archives: Tamara Rojo

Graham Taylor: City slicker, ballet lover

Graham Taylor, who has died aged 72, is the single nicest famous person I have ever interviewed. I met him in a City boardroom, where he was doing risk analysis for somebody who was about to buy a football club. It was a pretty unlikely location, but the conversation was even odder. Taylor had just given a talk to Dance East about leadership, and we were there to talk about ballet.

I had no great expectations of the encounter, but I’ve never forgotten it. There was, from the start, a complete lack of front mixed with gentle humour. “People think I’m retired from football,” he said. “But I haven’t. I’ve just retired from football management and that ought to please them enough.”

As he talked about ballet, something else came through, a genuine love and admiration for dancing that he expressed in completely unguarded fashion, something that seemed so strange and wonderful for a man of his age and background. I’ll always remember one quote he delivered, for the way he spoke as much as what he said. It came with a naivety or openness that was rather beautiful. “I’m no expert,” he said. “But Carlos Acosta and Tamara Rojo at Covent Garden, when they dance in Romeo And Juliet, I would deny anybody, anybody, to tell me they don’t know what passionate unbridled love is. I’m not saying I shed any tears, but boy was I close.”

He talked thoughtfully about the differences and similarities between ballet and football, offering his perspective as a player, manager and fan. He was decent, interesting and normal, but what was most remarkable given his previous experiences with the press was that there was none of the usual sense of distancing performance you get in interviews, whether it’s with a film star in a hotel suite or a caramelised peanut seller being vox popped on Oxford Street. Everybody is always aware they are being interviewed, and they always react ever so slightly to the situation, almost placing themselves outside the experience as if they were observing and monitoring their own responses. This separation of reality and performance can be fractional, but it’s happened with everybody I’ve ever interviewed, even close friends. It’s an entirely natural defence mechanism, and one that I have grown so used to I notice it only subconsciously.

Taylor, astonishingly for a man who had been treated so viciously by journalists in the past, had none of this. There was no distance, no performance, no separation, no judgement. It was just him.

After the interview, he walked with me to the nearest station rather than waiting for me to disappear as pretty much any other interviewees would do. Again, it was a simple moment of niceness I’ve never forgotten. We talked about Didier Drogba all the way to Blackfriars station, before heading our separate ways on the District Line.

gtballet1gtballet2-jpeg