Tag Archives: protest

Art and protest at the V&A

I’d been looking forward to the Disobedient Objects exhibition at the V&A for quite some time, so perhaps it was inevitable that I’d end up being disappointed. The exhibition looks at the art and design of protest, the way campaigners create new objects to enhance their ability to protest. Most obviously, this involves items like banners or posters, but protesters can be incredibly creative, and the boundaries for this are almost limitless.

The V&A exhibition, though, all felt a little safe. There was very little here that could upset anybody. The protests could all have come from a Guardian-approved list of righteous causes, while the objects were either strung up high out of reach – inflatable cobblestones, old banners – or dwarfed by the surrounding cabinets made of cheap plywood. Not that that there were that many objects: some posters and banners, a decorated car, some bicycle contraption, a phone with a subversive game and a limited selection of T-shirts and button badges. I was particularly disappointed that the Barbie Liberation Organization, a group that placed subversive voiceboxes inside old Barbies, were represented only by a film much like one you can watch on You Tube.

It wasn’t terrible. I liked the shields made to resemble book covers, for instance, and the Suffragette china has historic importance, while the Fuck The Law pendants made by a Black Panther who has spent 35 years in solitary had a rare power. Certainly more so than the rather trite banner, below, that the V&A clearly love so much they’re selling as postcards. I liked the free sheets they were giving away, though, telling people how to make their own disobedient devices.

Bone china with transfers printed in green, bearing the emblem of the Women's Social and Political Union (WSPU)Coral Stoakes, I wish my boyfriend was as dirty as your policies

Best of everything, though – and the only stuff that really felt at all dangerous even now – were the mock newspapers created by Reclaim The Streets and Class War. These supported a variety of causes, but were generally just designed to piss off the power of the establishment.

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This had a lot in common with the excellent exhibition upstairs in Room 88 called A World To Win: Posters Of Protest And Revolution, where Class War were also represented. This display takes place across two rooms which collectively contained dozens of dramatic posters from more than 100 years of graphic protest across the globe. There are items here from the Weimer Republic, Vietnam, Soviet Russia, Oman, Northern Ireland, Paris 68 and the Iranian Revolution.A lot are designed to shock – dead bodies at My Lai, Fuck The Draft, the incongruity of a poster celebrated the Ayatollah Khomeini placed just across the room from one lauding Angela Davis. The mix worked, and the images were superb.

A few of my favourites are below. but I recommend you check the collection out yourselves. Both this and Disobedient Objects are free.

 

Poster - So Long as Women are not Free the People are not FreePoster - Never Again! Stop the Nazi NF!

Against Apartheid. Boycott South African Goods (Poster)

Les Beaux-Arts Sont Fermés, Mais L'Art Revolutionaire Est Ne (Poster)

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Celebrating the noble tradition of defacing London statues

It seems to happen every time a march or protest takes place in London. A much-loved statue or monument is defaced, horrifying the sort of people who are horrified by this sort of thing while the rest of us wonder why nobody’s got round to throwing a bucket of paint at that godawful Animals At War monstrosity on Park Lane.

On Saturday, after the TUC and some kids dressed in black marched through the London to complain about stuff, it was the turn for the Landseer lions at Trafalgar Square to take a pasting.

lion

While the statue of Charles I received a more artful reimagining.

statue

Interestingly, this Charles I statue had already been manhandled by the mob – albeit inadvertently – way back in 1867 when a reporter climbed the statue to get a better view of a passing protest and used the sword to steady himself. The sword promptly fell off and disappeared into the crowd, never to be seen again.

Most people think that this habit of deliberately defacing certain statues is a recent thing, dating back to the inarguably splendid Winston Churchill turf mohican on May Day 2000.

But the London mob has a rich tradition of dressing up (or down, depending on your viewpoint) London statues. My favourite example is the treatment dished out to the statue of a mounted George I, which was cast in 1716 and placed in Leicester Fields in 1784. This received serious punishment over the years as children clambered all over it, so both horse and rider lost bits, and at one point the poor king was without head, legs and arms. But worse was to come.

In October 1866, after the state of the statue had been discussed in the Times, guerilla jokers attacked the statue at night, painting black spots all over the horse, replacing the lance with a broomstick and putting a dunce’s hat from the nearby Alhambra Theatre on George’s bonce. Crowds flocked to see the spectacle. It was cleaned up, but eventually sold for £16 and pulled down in 1872.

As British History online website comments: ‘It would be almost impossible to tell all the pranks that were played upon this ill-starred monument, and how Punch and his comic contemporaries made fun of it, whilst the more serious organs waxed indignant as they dilated on the unmerited insults to which it was subjected.’

Nothing changes, once again.