Yearly Archives: 2018

Boxing cats and potato smashing on the streets of Victorian London

I spent yesterday morning sheltering from the snow by browsing the London Society‘s archives, which are kept in a warehouse near the Regent’s Canal in Islington. The society has several hundred London books, but also hundreds of boxes crammed with ephemera. These have been sorted to a certain degree into different categories, but it still doesn’t mean you have a clue what you’ll find until you open the lid. Amid the photographs, bus timetables, leaflets, maps, old copies of Time Out and weathered periodicals I found a box named only “odd-shaped”.

I had to investigate further.

Inside this box was another box, and this was filled with index cards. These had been sorted into alphabetical order. Each one had a handwritten title – usually a place name – and then a pasted clipping from the Daily Telegraph, usually from the late 1920s and 1930s. Quite who compiled this library – or why – was unclear, but they collectively represented a series that could have been published almost in their entirety as “Strange things about London”. For instance, this was the only entry for “Herne Hill”.

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Towards the back, under S, I discovered a fantastic series of clippings about “Street Shows, London” that was prompted by a letter regarding some of the old street entertainers seen around the city. What followed was an outpouring of extraordinary memories, all for some 30-40 years before. There were boxing cats (“the cats boxed rather lazily”). “A shabby little man” organised the pantomime execution and funeral of a canary (“the hearse drawn by a team of four canaries”). There was “a savage who glowered and grunted behind a set of bars”. There was a “burly negro” who ate coal, drank meths and then set fire to his breath. There was a drunken stilt-walker. There was another “negro”, who ate lighted fuses – “he once showed me the inside of his left cheek burned black”. There was “another negro” who would throw dinner plates in the air and smash them on his head – “on one occasion I was present when cut his forehead rather badly”, records the correspondent in Bogner Regis, dispassionately. Best of all was the “potato smasher”, who would turn up in Camden or Oxford Street and throw a raw potato in the air, smashing it with his head – he had “a permanent bruise on his forehead caused by the impact of many  potatoes”.

There were reams of this stuff, all clipped, pasted, annotated and diligently filed, until they were eventually sent to The London Society, placed in a box and then left on a shelf in a warehouse, waiting to be rediscovered.

I post a selection below.

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Fatberg at the Museum of London

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After the latest fatberg was discovered in London’s sewers in Whitechapel in September 2017 – a 130 tonne monster that covered 250 metres – the Museum of London moved fast. While most of the fatberg was broken down by spades and high-pressure water and then converted to biodiesel, the museum was able to preserve two smallish sections for analysis, conservation and display. Fatberg! duly opens at the Museum on Friday February 9 and runs until July 1. It’s a terrific example of a museum thinking on its feet, responding quickly to events and then producing a short, snappy display that covers an important topic without resorting to hectoring or over-thinking. It covers the environmental impact and what can be done to reduce fatbergs without lecturing or wagging fingers, but also shows that London is facing a growing problem that people need to be aware of before they flush anything down the loo.

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There isn’t a great deal to see, which isn’t a bad thing. There are some displays explaining precisely what a fatberg is, why they are problems, how they are formed and why the museum decided to collect a sample – apparently because they are “disgusting, fascinating things which mark a particular moment in London’s history”. The museum also proudly announces that ‘there is no precedent for collecting a fatberg”. Thames Water are co-sponsors and there’s a short video, some photos of the sewers, the tools and hamzat suit used by workers who have to break down and remove the obstruction, samples of biodiesel and then two chunks of fatberg themselves. One has broken into smaller pieces, the other is a solid and fairly hefty piece of native London fat.

Although I was slightly disappointed I couldn’t take home a small slice of fatberg for the mantelpiece, having to settle instead for some fatberg-branded fudge and a book about sewers, I was able to talk to somebody who’d handled the real thing. Andy was involved in the scientific analysis. He touched the fatberg when it was first retrieved from the sewer and says it was greasy and waxy, but has since dried to the consistency of a pumice stone and also lightened in colour as the moisture has evaporated. It’s also very light. Andy showed me photos of the museum’s fatberg sample from soon after its recovery – it was originally brown and damp, like dinosaur poo, with finger marks where people have prodded it.

The fatberg is 62%, of which 53% is the palmitic fat found in cleaning products and olive oil. The remaining 38% is 19% ash and grit, 10% water and 9 % other, which presumably includes solids such as wet wipes, nappies and condoms – all of which are a major problem for our sewers. London has suffered from an increase in fatbergs in recent years because of the age of our sewers, our changing habits, a growing population, carelessness and also possibly the fact we don’t use that much water – Americans apparently use three times as much as us – so there is less chance to flush away deposits or dilute them.

Nobody seems to know how precisely a fatberg forms or how long it takes for one to develop. Andy told me that a scientist at Cranfield University is hoping to raise sufficient funds to construct a replica London sewer where she can grow her own fatberg. This seems a wholly worthwhile enterprise and one I fully endorse. Until then, we’ll have to make do with studying the dried remains of London’s fatberg at the Museum of London.

Fatberg! at Museum of London until July 1.

Leaving the canal

I wrote this piece for a recent issue of Waterfront, the Canal & River Trust’s superb magazine for canal lovers.  

In theory, it doesn’t take long to move off a canal boat. When I finally left my floating home of seven years, all I really needed was a couple of hours with some sturdy cardboard boxes and a roll of bin bags, such is the lack of storage space for anything other than the most basic of life’s essentials. But how long does it take to get over moving off a canal boat? I’ll tell you when I manage it.

I left for love, having bought a flat with my girlfriend, but also for central heating, storage space, flushing toilets and a water supply that never ran out. The decision was helped by the fact my boat was in poor condition. I’d been spending less time there, and the neglect was starting to show. I’d never been the most diligent of handyman and a boat deteriorates quickly, so by the time I moved away the boiler, fridge and cooker were condemned or unreliable. Then there was the toilet. The terrifying condition of this medieval contraption was the main reason my girlfriend wouldn’t spend much time on the canal, and helped make dry land – with its ready access to an actual sewer – seriously appealing.

There was more. Now at least I wouldn’t have to mentally filter every item I acquired – every book, CD, mug, apple or pair of socks – to decide whether I could really afford the room. I’d never wake frozen to the core having come home too late to light the fire. I’d never run out of water in the middle of a shower because I’d forgotten to refill the tank. That time when I ended up taking a shower in diesel after a can of oil leaked into my water tank would, surely, never be repeated. I’d be able to have a bath, and my mum could stop worrying about me accidentally falling in the canal when I arrived home, unsteadily, after midnight.

All this was true, and yet from the start there was much I missed. Quite simply, living on a boat never gets boring and it was never something to take for granted. I had never grown tired of returning each evening and unlocking the mysterious gate in an unremarkable wall that allowed me to descend from noisy street to the secluded world of the towpath. I felt privileged to be part of this secret universe, populated by fascinating people. It wasn’t just about seeming cool – although that had something do with it. Boat life really is interesting, both as a concept and as a way of life. These were the rewards you got for the discomfort.

It could also be exhausting and at first, I revelled in the luxurious space of my tiny flat but even this proved illusionary. A good boat has excellent storage but also genuine, unbreachable limitations on what you can accumulate; flats and houses have no real limits, you can continue stacking stuff almost indefinitely in corners and under beds and sofas until you are so suffocated by physical objects you find yourself desperate to move. On a boat, you cannot hoard. It was an excellent discipline that in some ways I retain – I don’t keep newspapers or magazines, for instance, and am always getting in trouble for instinctively throwing away any letter or piece of paper that seems to have been abandoned in the same place for too long.

I didn’t return to the canal for several years after leaving my boat – canals being easy to avoid unless you go out of your way to find one. When I did go back, I was struck by a disorientating sense of saudade, a nostalgic melancholy for what has passed. As I wandered down the once familiar towpath, noting old boats in new moorings, new boats in old moorings and the excellent paint job on my former home, I realised how much I missed the chaotic camaraderie of boat life. We lived on top of each other in a way that was as close to communal living as you can get outside of student digs. In my flat, by contrast, I took the stairs rather than get stuck with a stranger in the lift.

Even now, years later, there are times I miss the canal most painfully. The pang can be triggered by the slightest thing – the smell of coal smoke on crisp winter evenings, the sight of a perfect blue sky in August, the sound of hard rain late at night. It comes back most powerfully every time I step aboard a boat. There is that initial give and roll, the subtle shift of weight that comes every time you leave dry land, and then the short descent into the comforting darkened corridor of a cabin with its warm smell of water, smoke and diesel. One day, I think, one day I will come home.

 

 

 

 

 

 

High Buildings, Low Morals by Rob Baker

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I wrote about Rob Baker’s last book – Beautiful Idiots, Brilliant Lunatics – a couple of years ago. It’s a collection of London-based short histories inspired by Rob’s superb blog, Another Nickel In The Machine. Rob’s now written a follow-up, High Buildings, Low Morals, which again explores a dozen London stories from the 20th century, some entirely forgotten and others well-known but brilliantly written by Baker, who takes a familiar tale – say, the Streatham brothel of Cynthia Payne – and use it to discuss something loosely related, such as the history of luncheon vouchers.

The fun of this approach can be seen in the opening story, which is about the infamous “headless polaroids” showing a Mayfair socialite giving an unknown man a blow job – the four photos had handwritten captions, “before”, “during”, “oh!” and “finished”. The photos were at the centre of an infamous divorce case but Baker also brings in Noel Coward lyrics, PG Wodehouse, Mussolini, Barbara Cartland and Normal Mailer.

Baker often focuses on a scandal of some sort but I particularly liked the chapter about Graham Greene’s wartime activities during the Blitz, which followed the author at work as a fire warden on one of the worst evenings of bombing. Within each chapter, are a handful of great facts and in the Greene section I learnt about a restaurant, the Hungaria on Lower Regent Street, which advertised itself as being “bomb-proof, splinter-proof, blast-proof, gas-proof and BOREDOM PROOF”. The restaurant had “a fleet of private cars driven by tin-hatted chauffeurs ready to take you through bomb blasts and shell fragments back home.”

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Other chapters take in the IRA’s operations of the 1970s, the Oz trial, and the extraordinary Lord Boothby. One of the best is about Tallulah Bankhead, who caused a scandal in 1928 when she hosted sex and cocaine parties for Eton schoolboys. An Eton teacher was said to have told her, “We don’t at all mind you taking some of the senior boys over for a smoke or a drink or a little sex on a Sunday afternoon. That doesn’t upset me. What does upset me is you giving them cocaine before chapel.”

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